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Eupolis was a political militant. From his very first plays his critical attitude of (amongst others) Pericles is evident. In the Colonels, he made one of his characters the seasoned warrior Phormion, trying to convert the softy Dionysus into a fighter. In Dionysus, the audience would have recognized Pericles without too much trouble. His play The Age of Gold, produced in the same year as Aristophanes' Knights (424), was a bitter jest at the expense of Cleon's government and its times. His Flatterers of 421 gives an almost photographic picture of the house of a rich Athenian (Callias) famous for the symposia he threw, as mentioned by Plato and Xenophon. Eupolis described the partygoers as a bevy of hangers-on jostling each other to get at the rich buffet. Two of the partygoers were Protagoras (the well-known Sophist) and Alcibiades (here portrayed as a ladykiller). The play laid into the lifestyle of certain individuals banded together under the banner of the Sophist movement: the movement as such Eupolis did not, so far as we know, ever pass judgment on. (Other comedies, too, deal with the atmosphere of 'Sophist' circles). He produced his last play, Demes, in 412, after the Sicilian Catastrophe. Athens was in the throes of one of its greatest crises: its institutions and organs of power were paralysed and all that was left was the glorious past. Eupolis decided to have the best and worthiest leaders return from the dead (headed by Myronides), and show the right way to go about things. The final panel was composed of Solon, Miltiades, Aristides, and Pericles. The delegates from Down Under outfaced the New Age representatives by superior argument, pertinent criticism, and punishment.
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