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The Ionic order was also formed during the Archaic period and its use spread from Ionia -where it appeared for the first time- to the Cyclades, Attica and to a part of Macedon, whereas it was particularly used in the Greek west. It mainly differs from the Doric order in the form of the column and the arrangement of the entablature. A crepis of usually three steps also exists, with a slight moulding in their lower part. However, the column is not direcly based on the stylobate, but on a round foundation called the spira. This base is separated into two parts, the concave, which is called scotia, and the convex one, which is called torus or kymation. Some times (in Minor Asia mainly) this base was placed on a square slab, the plinth. |
The Ionic column is more slender than the Doric one, but it has numerically more (20 to 24) and deeper flutes, the edges of which are not acute but smooth. In some temples in Ionia (Ephesus, Didyma) relief representations decorate the lower drum of each column. The column is crowned by a capital consisting of a convex part -the echinus- two volutes and a square slab, called the abacus. The volutes in the Archaic period are of equal thickness along their length, whereas later they get narrower in the middle of their outer sides. The parts of the volutes were replaced by rosettes and the echinus is decorated with Ionic or Lesbian kyma.
Whereas the Doric column is a purely Greek creation, the Ionic one apparently assumed foreign elements and adapted them. The earliest Ionic columns also lead to that conclusion; they have been found in Lesbos and Troas, and thus are called Aeolic. The Aeolic columns have two volutes, among which a palmette is developed, and at their base there usually is a floral pattern. The differences between Ionic and Doric order are also apparent in the architrave, which is not unified, but is divided into three successive and protruded mutule. In Ionia, over the architrave we meet a decorative area with a Lesbian kyma and supports of the cornice, which are called dentils. On the islands and Attica the use of the frieze with relief and sometimes painted representations prevailed. |
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